Karen Lemmey

Karen Lemmey
AUGUSTUS SAINT-GAUDENS IN THE METROPOLITAN MUSEUM OF ART

Special issue N1. USA–RUSSIA: ON THE CROSSROADS OF CULTURES

Augustus Saint-Gaudens (1848-1907) was the foremost American sculptor of the late 19th century. From humble roots, through his prodigious talent, he rose in society, eventually counting some of America?s most influential figures in art and literature, diplomacy and economics, technology and social policy among his friends and patrons. The exhibition “Augustus Saint-Gaudens in The Metropolitan Museum of Art”, on view at The Metropolitan Museum of Art from 30 June through 15 November 2009, draws from the Museum?s collection of nearly four dozen works by the accomplished artist, many of which were acquired directly from the sculptor or from his widow, soon after his death in 1907. Organized thematically within a chronological framework, the exhibition charts his illustrious career with works representing the entire range of his oeuvre, from early cameos to innovative painterly bas-reliefs, to character-penetrating portrait busts and statuettes derived from his public monuments.

“GRANY” FOUNDATION PRESENTS

Karen Lemmey
Augustus Saint-Gaudens in The Metropolitan Museum of Art

№2 2009 (23)

Augustus Saint-Gaudens (1848-1907) was the foremost American sculptor of the late 19th century. From humble roots, through his prodigious talent, he rose in society, eventually counting some of Americaʼs most influential figures in art and literature, diplomacy and economics, technology and social policy among his friends and patrons. The exhibition “Augustus Saint-Gaudens in The Metropolitan Museum of Art”, on view at The Metropolitan Museum of Art from 30 June through 15 November 2009, draws from the Museumʼs collection of nearly four dozen works by the accomplished artist, many of which were acquired directly from the sculptor or from his widow, soon after his death in 1907. Organized thematically within a chronological framework, the exhibition charts his illustrious career with works representing the entire range of his oeuvre, from early cameos to innovative painterly bas-reliefs, to character-penetrating portrait busts and statuettes derived from his public monuments.