ART COLLECTORS AND PATRONS
#1 2017 (54)
“Among other nonsense (as well as certain justified criticisms), I hear that Gaivazovsky paints too quickly and sloppily. His works are more like stage sets than paintings, they say. I no longer have the energy to refute these accusations; I can only remark sorrowfully that ‘at least the stage sets are delightful, you must concur.’” In such terms, without hiding his sincere chagrin, the well-known patron of the arts Alexei Tomilov wrote in 1842 to the marine painter Ivan Aivazovsky, who was, by then, acquiring a reputation in Europe
#4 2016 (53)
The images of Ivan Aivazovsky have been reproduced in many forms, none more remarkable than the tea service presented by Tsar Alexander II to his brother Grand Duke Konstantin Nikolayevich as a Christmas gift in 1861. Aivazovsky’s famous seascapes were copied in miniature with extraordinary skill in this testament to the lifelong close relationship between the artist and his royal patron.
THE GREAT SEASCAPE ARTIST AND THE R USSIAN IMPERIAL FAMILY
#4 2016 (53)
A favourite of three Russian rulers, Aivazovsky’s development as an artist was encouraged with royal patronage from an early age. Closely involved with members of the Romanov dynasty for more than 60 years, he both travelled with them on foreign journeys, and entertained them at his home in Crimea.
MIKHAIL GERMASHEV: AN ARTIST AND HIS COLLECTORS
#3 2016 (52)
The names of the major Russian collectors - the Tretyakovs, the Morozovs, the Ryabushinskys, the Tereschenkos or the Khanenkos - are well known. But other patrons of the arts and collectors have been undeservedly forgotten, although it is thanks to them and their acquisitions that we have the chance to revisit the work of lesser-known and even forgotten artists.
#1 2004 (02)
THANKS TO THE METICULOUS AND PRECISE MANNER RUSSIAN MERCHANTS, AMONG THEM PAVEL TRETYAKOV, USED TO DO BUSINESS, THE TRETYAKOV GALLERY ARCHIVES FOUND THEMSELVES IN POSSESSION OF SOME MOST INTERESTING EVIDENCE OF HIS WORK AS AN ART COLLECTOR: HIS LETTERS, NOTE-BOOKS, DIARIES, BILLS AND OTHER MEMORABILIA BEAR VALUABLE TESTIMONY TO HIS LIFE-LONG ENDEAVOUR OF BUILDING UP THE FIRST NATIONAL COLLECTION OF RUSSIAN PAINTINGS. EVEN LESS KNOWN, BUT NO LESS INTERESTING, ARE THE FACTS OF PAVEL TRETYAKOV’S REGULAR JOURNEYS ABROAD. BESIDES SERVING BUSINESS PURPOSES THE TRIPS ALLOWED TRETYAKOV TO VISIT NUMEROUS ART EXHIBITIONS AND MUSEUMS, AND TO ACQUAINT HIMSELF WITH CONTEMPORARY ARTISTIC TRENDS IN EUROPE. HE WAS COMPARING AND ANALYZING, ACCUMULATING IMPRESSIONS, BUILDING UP KNOWLEDGE AND EXPERIENCE, AND DEVELOPING THE CONNOISSEUR’S TASTE - ALWAYS WITH THE IDEA OF A NATIONAL ART COLLECTION IN MIND.