Yekaterina Arkhipova


Irina Leytes, Yekaterina Arkhipova
“Why look for another like her? Moscow stands unmatched...” THE CITY AND THE PEOPLE. MOSCOW IN 20TH CENTURY GRAPHIC ARTS

#2 2018 (59)

“Why look for another like her? Moscow stands unmatched...’’ These words, chosen for the title of a memoir by the 19th century architect Vladimir Bakarev, remain a fitting expression of the Russian capital's enduring appeal.1 Today, drastic changes in the way the city looks leave some excited, others outraged, but no one indifferent. Moscow has always attracted both painters and graphic artists, who have chosen the city as their subject.


Irina Leytes, Yekaterina Arkhipova
The Housing Question*. Interior Scenes in Soviet Graphic Art from the 1920s to the 1980s

#2 2017 (55)

Depictions of everyday life - showing people engaged with their usual activities, in their accustomed home surroundings - have long been common in world art. In 20th century Russia, however, attitudes towards domestic life - byt, in the general Russian word - and indeed towards the concept of the home itself, underwent dramatic shifts. In the past, the home had been seen as a safe, contained space, offering its inhabitants comfort, warmth and a sense of safety. However, following the cataclysmic upheavals of the early 20th century, the radical ideology that took over in Soviet Russia sought to portray the comforts of home as pernicious for those who belonged to the new social order: this “counter-force” governed everything from home furnishings to Mayakovsky’s otherwise blameless canaries.




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