Kustodiev

DRAWING TECHNIQUE: From Orest Kiprensky to Kazimir Malevich

Irina Shumanova, Yevgenia Ilyukhina

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2011 (30)

Pencil drawing is one of the oldest art forms, the source of all visual arts, recording the inception of an idea and the stages of its further development. But drawing also has a life of its own as an independent art form with a distinctive language, specific rules and history. Pencils come in many different varieties - silver, lead, graphite, black chalk, wax, coloured pencils, lithographic pencils and other types - and the word also refers to a large number of similar media which can be categorized as the techniques of “dry drawing”, like charcoal, sanguine and sauce. There is an almost limitless variety of techniques involving the use of these materials, and they serve to show off a particular artist’s individuality, sense of form, innate talent and level of skills. A drawing in pencil, charcoal, sanguine or sauce is the best reflection of its creator’s temperament and character. From the vast variety of pencil and pencil-related techniques every epoch chooses those that suit it best. The age of classicism treasured the austere beauty of linear drawing, romanticism - the contrasts and the picturesque quality of strokes; for the “Peredvizhniki” (Wanderers) artists, pencils were “modest workers”, and the modernist movement re-invented the selfsufficiency of lines and the aesthetic value of the process of drawing as such.

DRAWING TECHNIQUE: From Orest Kiprensky to Kazimir Malevich

The Tretyakov Gallery thanks Ivan Kardashidi for support of the exhibition

Anna Antonova, Lydia Tornstensen and Yevgenia Plotnikova also contributed to the publication.

Pencil drawing is one of the oldest art forms, the source of all visual arts, recording the inception of an idea and the stages of its further development. But drawing also has a life of its own as an independent art form with a distinctive language, specific rules and history.

The Nude in Russian Art in the 20th Century

Nadezhda Yurasovskaya

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2015 (46)

RUSSIAN ART HAS OFTEN BEEN CONTRADICTORY IN ITS DEPICTION OF NUDES - AND CHANGING TIMES HAVE THEMSELVES CHANGED ETHICAL AND AESTHETIC VALUE SYSTEMS, AND OFFERED (AND/OR ORDERED) NEW PRIORITIES. THE 20TH-CENTURY INDUSTRIAL ERA WITH ITS REVOLUTIONARY TURMOIL TRIGGERED AN OVERTURNING OF TRADITIONAL MORAL STANDARDS IN SOCIETY, ESTABLISHING NEW AESTHETIC NOTIONS AND ALTERING ARTISTIC LANGUAGE ACCORDINGLY. THEMES OF NUDITY WERE NO LONGER CONFINED TO ART CLASSES. NUDE BODIES THAT HAD ONCE MADE THE RUSSIAN AUDIENCE NERVOUSLY BLUSH WITH EMBARRASSMENT APPEARED AS SUBJECTS OF PROPAGANDA IN A SOCIETY WHICH WAS AIMING AT DRASTIC CHANGE. THE YOUNG GENERATION OF BIG-CITY DWELLERS, RADICAL NUDISTS, CONSIDERED STROLLING THE STREETS WITHOUT CLOTHES TO BE A REVOLUTIONARY ACT. AS VLADIMIR MAYAKOVSKY STROVE TO CONVINCE HIS READERS: "THERE'S NO BETTER ATTIRE IN THE WORLD / THAN THE BRONZE OF MUSCLES AND FRESHNESS OF SKIN".

The Nude in Russian Art in the 20th Century

RUSSIAN ART HAS OFTEN BEEN CONTRADICTORY IN ITS DEPICTION OF NUDES - AND CHANGING TIMES HAVE THEMSELVES CHANGED ETHICAL AND AESTHETIC VALUE SYSTEMS, AND OFFERED (AND/OR ORDERED) NEW PRIORITIES. THE 20TH-CENTURY INDUSTRIAL ERA WITH ITS REVOLUTIONARY TURMOIL TRIGGERED AN OVERTURNING OF TRADITIONAL MORAL STANDARDS IN SOCIETY, ESTABLISHING NEW AESTHETIC NOTIONS AND ALTERING ARTISTIC LANGUAGE ACCORDINGLY.

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