Archipenko

Creative Spirit: Alexander Archipenko's Contribution

Alexandra Keiser

Article: 
HERITAGE
Magazine issue: 
#2 2006 (11)

From 1923 until his death in 1964, Alexander Archipenko lived in the United States where he produced a large body of work. While Archipenko scholars have focused mainly on his early years in France and his contributions to Cubism, it is only now that researchers are examining the artist’s practice and the reception he received during this later period, and his place in the wider structure of avant-garde culture.

Creative Spirit: Alexander Archipenko's Contribution

From 1923 until his death in 1964, Alexander Archipenko lived in the United States where he produced a large body of work. While Archipenko scholars have focused mainly on his early years in France and his contributions to Cubism, it is only now that researchers are examining the artist’s practice and the reception he received during this later period, and his place in the wider structure of avant-garde culture.

"They Dipped Their Brushes into Virtually Every Paint Can"

Natella Voiskounski

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#3 2007 (16)

“Crossroads: Modernism in Ukraine, 1910-1930”, the first major exhibition of early 20th century Ukrainian art was shown in Chicago at the Chicago Cultural Centre, and in New York at the new Ukrainian Museum. Featuring the best of high modernism from Ukraine, the exhibition included more than 70 rarely seen works by 21 Ukrainian artists; each of the works was shown for the first time in the United States. The avant-garde, art nouveau, impressionism, expressionism, futurism and constructivism movements were presented in a new light. Americans - the general public and art critics alike - were equally enthusiastic about the exhibition.

They Dipped Their Brushes into Virtually Every Paint Can

“Crossroads: Modernism in Ukraine, 1910-1930”, the first major exhibition of early 20th century Ukrainian art was shown in Chicago at the Chicago Cultural Centre, and in New York at the new Ukrainian Museum. Featuring the best of high modernism from Ukraine, the exhibition included more than 70 rarely seen works by 21 Ukrainian artists; each of the works was shown for the first time in the United States.

Creative Spirit: Alexander Archipenko's Contribution

Alexandra Keiser

Magazine issue: 
Special issue N1. USA–RUSSIA: ON THE CROSSROADS OF CULTURES

From 1923 until his death in 1964, Alexander Archipenko lived in the United States where he produced a large body of work. While Archipenko scholars have focused mainly on his early years in France and his contributions to Cubism, it is only now that researchers are examining the artist’s practice and the reception he received during this later period, and his place in the wider structure of avant-garde culture.

Creative Spirit: Alexander Archipenko's Contribution

From 1923 until his death in 1964, Alexander Archipenko lived in the United States where he produced a large body of work. While Archipenko scholars have focused mainly on his early years in France and his contributions to Cubism, it is only now that researchers are examining the artist’s practice and the reception he received during this later period, and his place in the wider structure of avant-garde culture.

"They Dipped Their Brushes into Virtually Every Paint Can"

Natella Voiskounski

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue N2. USA–RUSSIA: ON THE CROSSROADS OF CULTURES

“Crossroads: Modernism in Ukraine, 1910-1930”, the first major exhibition of early 20th century Ukrainian art was shown in Chicago at the Chicago Cultural Centre, and in New York at the new Ukrainian Museum. Featuring the best of high modernism from Ukraine, the exhibition included more than 70 rarely seen works by 21 Ukrainian artists; each of the works was shown for the first time in the United States. The avant-garde, art nouveau, impressionism, expressionism, futurism and constructivism movements were presented in a new light. Americans - the general public and art critics alike - were equally enthusiastic about the exhibition.

"They Dipped Their Brushes into Virtually Every Paint Can

“Crossroads: Modernism in Ukraine, 1910-1930”, the first major exhibition of early 20th century Ukrainian art was shown in Chicago at the Chicago Cultural Centre, and in New York at the new Ukrainian Museum. Featuring the best of high modernism from Ukraine, the exhibition included more than 70 rarely seen works by 21 Ukrainian artists; each of the works was shown for the first time in the United States.

Creative Spirit: Alexander Archipenko's Contribution

Alexandra Keiser

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#4 2013 (41)

FROM 1923 UNTIL HIS DEATH IN 1964, ALEXANDER ARCHIPENKO LIVED IN THE UNITED STATES WHERE HE PRODUCED A LARGE BODY OF WORK. WHILE ARCHIPENKO SCHOLARS HAVE FOCUSED MAINLY ON HIS EARLY YEARS IN FRANCE AND HIS CONTRIBUTIONS TO CUBISM, IT IS ONLY NOW THAT RESEARCHERS ARE EXAMINING THE ARTIST'S PRACTICE AND THE RECEPTION HE RECEIVED DURING THIS LATER PERIOD, AND HIS PLACE IN THE WIDER STRUCTURE OF AVANT-GARDE CULTURE.

2013_4_art_07_th.jpg

FROM 1923 UNTIL HIS DEATH IN 1964, ALEXANDER ARCHIPENKO LIVED IN THE UNITED STATES WHERE HE PRODUCED A LARGE BODY OF WORK. WHILE ARCHIPENKO SCHOLARS HAVE FOCUSED MAINLY ON HIS EARLY YEARS IN FRANCE AND HIS CONTRIBUTIONS TO CUBISM, IT IS ONLY NOW THAT RESEARCHERS ARE EXAMINING THE ARTIST'S PRACTICE AND THE RECEPTION HE RECEIVED DURING THIS LATER PERIOD, AND HIS PLACE IN THE WIDER STRUCTURE OF AVANT-GARDE CULTURE.

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