News
New York is the international epicentre of the art market. And it’s here, from 2 until 5 March, that The Armory Show, a fair that is emblematic of the city, takes place, assembling 210 contemporary and modern art galleries along the banks of the Hudson. It is also the first major art market event to take place in the Trump era.
Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that Oscar L. Tang has donated Riverbank, one of the most important Chinese landscape paintings in existence, to the Museum.
This exhibition is the first of its kind. It doesn't just tell the history of an art dealer but also the history of art, the history of a family and plain History with a capital H, filled with the blood and tears of the Second World War. ‘21 rue La Boétie’ is the title of the exhibition and also the address of Paul Rosenberg’s gallery in Paris from 1910 to 1940.
The New York businessman Thomas Kaplan (born 1962), along with his wife Daphne Recanati Kaplan, is the world’s largest private collector of art from the Dutch Golden Age. For many years he was close-lipped about his acquisitions and his numerous museum loans. But not any longer.
Diego Giacometti (1902-1985), the brother of the illustrious sculptor Alberto Giacometti, has a seat in the pantheon of 20th century decorative arts. Hubert de Givenchy (born 1926), whose creations were made famous by the actor Audrey Hepburn among others, has a seat in the pantheon of 20th century couture. The pair are reunited at Christie’s in Paris on 6 March.
On February 13, with one month to go before the opening, we announced the much-anticipated list of sixty-eight artists who will take part in the first Garage Triennial of Russian Contemporary Art.
Arco in Madrid has not only become the Spain’s most important commercial and cultural event for contemporary art but is also a European platform for current Latin American output, including Brazil. The guest country for this 2017 edition is Argentina.
The press conference for the Venice Biennale, arguably the world’s most important contemporary art event, takes place three months earlier and is usually quite a confusing affair. Not this time.
The greatest artists present us with endless opportunities to discover new sides to their work. A perfect example is at the Beyeler Foundation in Basel, Switzerland, where 62 paintings by Claude Monet are currently on display.
The first major retrospective exhibition in the United States devoted to Brazilian artist Lygia Pape (1927–2004) will open at The Met Breuer on Tuesday, March 21.
Anyone who has visited Naoshima and Teshima, the art islands in the Seto Inland Sea in Japan, will probably never get over the experience. Teshima is home to an immense space that radiates simplicity and emotion. Inside is an almost imperceptible yet infinitely poetic work by Rei Naito, a highly reserved artist, whose work is shown infrequently.
It is not unheard of for museums to inadvertently reprise entire chapters of art history. In Paris, at Pompidou Center, is the fabulous Cy Twombly retrospective, showing until 24 April. But if you want a more complete view of this exceptional period of creativity of 20th century, you have to hop over the water to the Tate Modern in London to catch the Robert Rauschenberg retrospective.
In response to current events, Metropolitan Museum curators and researchers will give informal ten-minute talks on Friday mornings at 11:00 and 11:30 a.m. through the end of March, in the galleries of Ancient Near Eastern Art and of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, about works of art of their choice.
Among the art lovers of this world – that vast group of individuals that loves flaunting its coffee table books and haunts Moma, the Centre Pompidou and the Tate Modern – how many can tell you why Carl Andre is an important artist?
Philippe Parreno (born 1963) is used to working on a large scale. The artist has now filled the entire Turbine Hall at the Tate Modern where his collection of installations is controlled by a very special piece of equipment: a bacteriological computer.
As a young boy Subodh Gupta lived in Bihar, one of the poorest states in India. Through a sequence of fortuitous encounters he would learn his craft and become one of the most talked about young artists on the planet.
An unmissable show at the Centre Pompidou reveals how Cairo, a far cry from the face that the Egyptian capital presents to the world today, was animated by a group of wild, pertinent and politically engaged artists. It is the first museum exhibition to tackle the subject of Egyptian surrealism.
When uncertainty reigns, everyone tries to protect themselves, and the art market is no exception. ‘Serious collectors who previously showed some appetite for risk by purchasing works by young artists are now investing perceptibly higher sums to acquire pieces by artists affiliated to acknowledged movements.’ explains Nathalie Brambilla.
Switzerland is a unique blend of alpine culture, cows, rustic tradition, cheese, and world-class expertise in such diverse domains as watchmaking, banking and contemporary art. Every two years, in Gstaad, a show called Elevation 1049 perfectly incarnates these two apparently irreconcilable tendencies.
Edgar Degas (1834-1917), a major artist from the dawn of modernism, both as a painter and a sculptor, died exactly 100 years ago this year. A hundred years is how long it took for a forgotten box containing 55 unseen drawings by this exceptional artist to appear on the market.