Maria Yakunchikova

Broadening Horizons: Maria Yakunchikova and Symbolism

Olga Davydova

Magazine issue: 
#3 2020 (68) Special edition "Maria Yakunchikova and Symbolism"

The interaction between an artist and the dominant artistic tendencies of their time - tendencies that reveal the individuality, the soul, of an age - can take different forms. The question of the self-determination of an artistic personality, and its relation to the psychologically sophisticated aesthetics of Symbolism, was one that occupied Maria Yakunchikova over the course of her mature artistic career (from about the end of the 1880s to 1902, the year of her death). A focus on Yakunchikova’s dialogue with spiritual impulses hidden in time is a logical and appropriate approach, on both the internal and external levels, especially considering that she was linked, in one way or another, with the two main phases of the development of Art Nouveau in Russia.

Broadening Horizons: Maria Yakunchikova and Symbolism

Ich konnte auch noch die Sterne
fassen in mir; so groß
scheint mir mein Herz...
<...>
Was bin ich unter diese
Unendlichkeit gelegt,
duftend wie eine Wiese,
hin und her bewegt

Rainer Maria Rilke
Die Liebende

“I feel you intimately and deeply...” Excerpts from the correspondence of Maria Yakunchikova and Yelena Polenova

Yelena Terkel

Article: 
EXCLUSIVE PUBLICATIONS
Magazine issue: 
#4 2011 (33)

The names of Yelena Dmitrievna Polenova and Maria Vasilievna Yakunchikova-Weber are closely connected in the history of Russian art, and are linked to the origin and rise of the modernist style. A search for new experience brought the two women artists together. Their companionship, reflected in their correspondence, helped each to develop as an artist and was mutually enriching. Their letters show how this bonding gradually grew in importance. Reserved by nature, Yelena expressed her concern pithily: “It has been long since I last heard from Masha — I wrote to her already several times and received only one letter in reply”. Maria wrote: “I feel you intimately, and deeply and humbly hope to hear from you sometime”.

“I feel you intimately and deeply...” Excerpts from the correspondence of Maria Yakunchikova and Yelena Polenova

The names of Yelena Dmitrievna Polenova1 and Maria Vasilievna Yakunchikova-Weber2 are closely connected in the history of Russian art, and are linked to the origin and rise of the modernist style. A search for new experience brought the two women artists together. Their companionship, reflected in their correspondence, helped each to develop as an artist and was mutually enriching. Their letters show how this bonding gradually grew in importance.

"She lived in the magical world of the fairy tale". The work of Yelena Polenova at the Tretyakov Gallery

Olga Atroshchenko

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#4 2011 (33)

November 27 2010 marked the 160th anniversary of the birth of the remarkable Russian artist Yelena Dmitrievna Polenova (1850-1898), the sister of the famous landscape painter Vasily Polenov. To mark the artist’s anniversary, the Tretyakov Gallery prepared the exhibition titled “She lived in the magical world of the fairy tale”, which presented the most original and innovative of Polenova’s works, alongside archive documents, memorial photographs, books and magazines which revealed the artist’s singular social and artistic efforts.

"She lived in the magical world of the fairy tale"

November 27 2010 marked the 160th anniversary of the birth of the remarkable Russian artist Yelena Dmitrievna Polenova (1850-1898), the sister of the famous landscape painter Vasily Polenov. To mark the artist’s anniversary, the Tretyakov Gallery prepared the exhibition titled “She lived in the magical world of the fairy tale”, which presented the most original and innovative of Polenova’s works, alongside archive documents, memorial photographs, books and magazines which revealed the artist’s singular social and artistic efforts.

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