G. Telyakovskaya

The "Telyakovsky Gallery" in Almaty

Galina Syrlybaeva

Article: 
ART COLLECTORS AND PATRONS
Magazine issue: 
#1 2012 (34)

The collection of Russian art at the Abdylkhan Kasteev Art Museum in Kazakhstan includes many unique works; some of them are worthy of special attention, as their importance lies not only in their artistic value but also in the story of their creation and "journey", as well as their relation to the artistic development of the country. Among them are two portraits by Konstantin Korovin, which are presented at the anniversary exhibition of the Russian artist at the Tretyakov Gallery on loan from the Kazakh museum.

The "Telyakovsky Gallery" in Almaty

The collection of Russian art at the Abdylkhan Kasteev Art Museum in Kazakhstan includes many unique works; some of them are worthy of special attention, as their importance lies not only in their artistic value but also in the story of their creation and "journey", as well as their relation to the artistic development of the country. Among them are two portraits by Konstantin Korovin, which are presented at the anniversary exhibition of the Russian artist at the Tretyakov Gallery on loan from the Kazakh museum.

Konstantin Korovin and His Workshop at the Bolshoi Theatre

Yekaterina Churakova

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2012 (34)

Konstantin Korovin was employed at the Bolshoi Theatre in 1899 “to gain experience for six months”, and in 1903 he already held the office of artist and stage designer and librarian for the Imperial Theatres of Moscow and St.Petersburg, and from 1910 was the chief stage designer of the Imperial Theatres.

Konstantin Korovin and His Workshop at the Bolshoi Theatre

Konstantin Korovin was employed at the Bolshoi Theatre in 1899 “to gain experience for six months”, and in 1903 he already held the office of artist and stage designer and librarian for the Imperial Theatres of Moscow and St.Petersburg, and from 1910 was the chief stage designer of the Imperial Theatres.

Portraits of the Friends of Konstantin Korovin

Lyudmila Polozova

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2012 (34)

The genre of the portrait was not essential in Korovin's work, and most of his portraits are images of people who were important in his life, especially in his artistic life. Among them are Vladimir Arkadievich Telyakovsky, director of the Imperial Theatres, his wife Gurly Loginovna Telyakovskaya, the internationally famous singer Feodor Chaliapin, and the actress Nadezhda Ivanovna Komarovskaya — all were Korovin's close friends, and like him devoted many years of their lives to theatre.

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The genre of the portrait was not essential in Korovin's work, and most of his portraits are images of people who were important in his life, especially in his artistic life. Among them are Vladimir Arkadievich Telyakovsky, director of the Imperial Theatres, his wife Gurly Loginovna Telyakovskaya, the internationally famous singer Feodor Chaliapin, and the actress Nadezhda Ivanovna Komarovskaya — all were Korovin's close friends, and like him devoted many years of their lives to theatre.

A Lady "in Disguise". Gurly Telyakovskaya and Alexander Golovin

Maria Goukhberg

Article: 
HERITAGE
Magazine issue: 
#3 2014 (44)

IN 1898 ALEXANDER GOLOVIN MADE THE ACQUAINTANCE OF VLADIMIR ARKADIEVICH TELYAKOVSKY, WHO HAD BEEN APPOINTED DIRECTOR OF THE MOSCOW BOARD OF THE IMPERIAL THEATRES THAT YEAR. HE OFFERED GOLOVIN THE POSITION OF STAGE DESIGNER AT THE BOLSHOI THEATRE AND LATER, IN 1900, OF CHIEF CONSULTANT AT THE MARIINSKY THEATRE. THUS THE ARTIST WAS COMMISSIONED WITH A HUGE AMOUNT OF WORK DESIGNING STAGE SETS FOR BOTH MUSICAL AND DRAMATIC PRODUCTIONS IN THE CAPITAL, AND IN THE COURSE OF THIS WORK HE ACQUIRED HIS NOTION OF WHAT IT MEANT TO BE A THEATRE ARTIST.

Gurly Telyakovskaya and Alexander Golovin

IN 1898 ALEXANDER GOLOVIN MADE THE ACQUAINTANCE OF VLADIMIR ARKADIEVICH TELYAKOVSKY, WHO HAD BEEN APPOINTED DIRECTOR OF THE MOSCOW BOARD OF THE IMPERIAL THEATRES THAT YEAR. HE OFFERED GOLOVIN THE POSITION OF STAGE DESIGNER AT THE BOLSHOI THEATRE AND LATER, IN 1900, OF CHIEF CONSULTANT AT THE MARIINSKY THEATRE. THUS THE ARTIST WAS COMMISSIONED WITH A HUGE AMOUNT OF WORK DESIGNING STAGE SETS FOR BOTH MUSICAL AND DRAMATIC PRODUCTIONS IN THE CAPITAL, AND IN THE COURSE OF THIS WORK HE ACQUIRED HIS NOTION OF WHAT IT MEANT TO BE A THEATRE ARTIST.

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