Van Gogh

The Cone Sisters: Collectors for Pleasure

Natella Voiskounski

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#1 2012 (34)

The New York Jewish Museum's show last year, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore", proved breathtaking. The exhibition displayed only a small part of what has been called "a collection of collections" of exquisite paintings, graphic works, prints, sculpture, furniture, embroidery, rugs, and textiles. But the core of the collection, its pride and glory, is Matisse, whose portraiture, still-lifes, sculpture and landscapes were on view. The exhibition told the fascinating story of the two sisters who, led by a female instinct for buying beautiful and often useless — or at least unnecessary — things, developed a perfect taste for genuine art and became distinguished collectors of 19th- and 20th-century modern European art. "A thing of beauty is a joy forever," wrote the British poet John Keats, and once the Cone sisters had experienced the joy of art, they cherished this sublime feeling throughout their lives.

The Cone Sisters: Collectors for Pleasure

THE NEW YORK JEWISH MUSEUM'S SHOW LAST YEAR, "COLLECTING MATISSE AND MODERN MASTERS: THE CONE SISTERS OF BALTIMORE", PROVED BREATHTAKING. THE EXHIBITION DISPLAYED ONLY A SMAH PART OF WHAT HAS BEEN CALLED "A COLLECTION OF COLLECTIONS" OF EXQUISITE PAINTINGS, GRAPHIC WORKS, PRINTS, SCULPTURE, FURNITURE, EMBROIDERY, RUGS, AND TEXTILES. BUT THE CORE OF THE COLLECTION, ITS PRIDE AND GLORY, IS MATISSE, WHOSE PORTRAITURE, STILL-LIFES, SCULPTURE AND LANDSCAPES WERE ON VIEW.

Summer in Switzerland

Yekaterina Selezneva

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue. SWITZERLAND–RUSSIA: ON THE CROSSROADS OF CULTURES

Masterpieces from the New York Metropolitan Museum of Art at Martigny
By lending 50 masterpieces of Western European art to the Fondation Pierre Gianadda the world-famous Metropolitan Museum is sending out a clear message: it trusts the foundation implicitly. The memory of the mysterious story (with a happy ending) when the collection of French paintings from Moscow's Pushkin Museum of Fine Arts was arrested after the closure of the exhibition remains fresh in the minds of many. At the time, some Russian journalists and museum officials said in no uncertain terms that the Swiss partner did not quite live up to the standards of the Pushkin museum.

Hans Holbein in Basel
From April  1 to July 2, the Kunstmuseum Basel hosted an exhibition dedicated to Hans  Holbein the Younger. There are many reasons why the exhibition occurred in  Basel: Holbein, born in the German town of Augsburg in 1497 (or 1498), moved to  the Swiss city-republic of Basel in 1514 with his brother Ambrosius, who was  also a painter. Erasmus of Rotterdam also lived in Basel; the city had a  university and excellent publishing houses.

Summer in Switzerland

 

The Cone Sisters: Collectors for Pleasure

Natella Voiskounski

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#4 2013 (41)

THE NEW YORK JEWISH MUSEUM'S SHOW LAST YEAR, "COLLECTING MATISSE AND MODERN MASTERS: THE CONE SISTERS OF BALTIMORE", PROVED BREATHTAKING. THE EXHIBITION DISPLAYED ONLY A SMAH PART OF WHAT HAS BEEN CALLED "A COLLECTION OF COLLECTIONS" OF EXQUISITE PAINTINGS, GRAPHIC WORKS, PRINTS, SCULPTURE, FURNITURE, EMBROIDERY, RUGS, AND TEXTILES. BUT THE CORE OF THE COLLECTION, ITS PRIDE AND GLORY, IS MATISSE, WHOSE PORTRAITURE, STILL-LIFES, SCULPTURE AND LANDSCAPES WERE ON VIEW. THE EXHIBITION TOLD THE FASCINATING STORY OF THE TWO SISTERS WHO, LED BY A FEMALE INSTINCT FOR BUYING BEAUTIFUL AND OFTEN USELESS -OR AT LEAST UNNECESSARY -THINGS, DEVELOPED A PERFECT TASTE FOR GENUINE ART AND BECAME DISTINGUISHED COLLECTORS OF 19TH- AND 20TH-CENTURY MODERN EUROPEAN ART. "A THING OF BEAUTY IS A JOY FOREVER," WROTE THE BRITISH POET JOHN KEATS, AND ONCE THE CONE SISTERS HAD EXPERIENCED THE JOY OF ART, THEY CHERISHED THIS SUBLIME FEELING THROUGHOUT THEIR LIVES.

2013_4_art_05_th.jpg

THE NEW YORK JEWISH MUSEUM'S SHOW LAST YEAR, "COLLECTING MATISSE AND MODERN MASTERS: THE CONE SISTERS OF BALTIMORE", PROVED BREATHTAKING. THE EXHIBITION DISPLAYED ONLY A SMAH PART OF WHAT HAS BEEN CALLED "A COLLECTION OF COLLECTIONS" OF EXQUISITE PAINTINGS, GRAPHIC WORKS, PRINTS, SCULPTURE, FURNITURE, EMBROIDERY, RUGS, AND TEXTILES. BUT THE CORE OF THE COLLECTION, ITS PRIDE AND GLORY, IS MATISSE, WHOSE PORTRAITURE, STILL-LIFES, SCULPTURE AND LANDSCAPES WERE ON VIEW.

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