Picasso

Livre d'Artiste

Vitaly Mishin

Article: 
ON THE 100th ANNIVERSARY OF THE PUSHKIN FINE ARTS MUSEUM
Magazine issue: 
#2 2012 (35)

The Spanish Collection -
Picasso, Dali, Miró, Gris, Clavé, Tàpies,
at the Pushkin Fine Arts Museum

The collections of artists' books amassed by Boris Friedman and George Gens are probably the fullest of their kind in Russia. There comes a point in the life of many collectors when they feel the urge to make the riches at their disposal available to the public. Such were the motives of Friedman, when he approached the Pushkin Fine Arts Museum with a suggestion for cooperation. The museum was pleased to accept: the material on offer was of extremely high quality, and such projects have undoubted educational value. On show from February to the end of March 2012, it was the first an exhibition of its kind in Russia.

Livre d'Artiste

The Spanish Collection -
Picasso, Dali, Miró, Gris, Clavé, Tàpies,
at the Pushkin Fine Arts Museum

The Zentrum Paul Klee: Meeting Place of Klee and Picasso

Christine Hopfengart

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue. SWITZERLAND–RUSSIA: ON THE CROSSROADS OF CULTURES

The Zentrum Paul Klee celebrates its 5 years with the exhibition "Klee meets Picasso" - an homage to two giants of art history, presenting these two imposing exponents of modern art and taking as its theme Klee's analysis of Picasso. The exhibition reveals unknown interwoven links between Klee and Picasso. It comprises over 180 works from the Zentrum Paul Klee, from numerous museums and private collections, such as famous collections in the Museum of Modern Art, New York, the Museum Picasso, Barcelona, the Museum Berggruen and the Neue National Galerie, Berlin and the Centre Pompidou in Paris. The exhibition project is supported by the Picasso und Klee families.

The Zentrum Paul Klee: Meeting Place of Klee and Picasso

The Zentrum Paul Klee celebrates its 5 years with the exhibition "Klee meets Picasso" - an homage to two giants of art history, presenting these two imposing exponents of modern art and taking as its theme Klee's analysis of Picasso. The exhibition reveals unknown interwoven links between Klee and Picasso.

The Cone Sisters: Collectors for Pleasure

Natella Voiskounski

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#4 2013 (41)

THE NEW YORK JEWISH MUSEUM'S SHOW LAST YEAR, "COLLECTING MATISSE AND MODERN MASTERS: THE CONE SISTERS OF BALTIMORE", PROVED BREATHTAKING. THE EXHIBITION DISPLAYED ONLY A SMAH PART OF WHAT HAS BEEN CALLED "A COLLECTION OF COLLECTIONS" OF EXQUISITE PAINTINGS, GRAPHIC WORKS, PRINTS, SCULPTURE, FURNITURE, EMBROIDERY, RUGS, AND TEXTILES. BUT THE CORE OF THE COLLECTION, ITS PRIDE AND GLORY, IS MATISSE, WHOSE PORTRAITURE, STILL-LIFES, SCULPTURE AND LANDSCAPES WERE ON VIEW. THE EXHIBITION TOLD THE FASCINATING STORY OF THE TWO SISTERS WHO, LED BY A FEMALE INSTINCT FOR BUYING BEAUTIFUL AND OFTEN USELESS -OR AT LEAST UNNECESSARY -THINGS, DEVELOPED A PERFECT TASTE FOR GENUINE ART AND BECAME DISTINGUISHED COLLECTORS OF 19TH- AND 20TH-CENTURY MODERN EUROPEAN ART. "A THING OF BEAUTY IS A JOY FOREVER," WROTE THE BRITISH POET JOHN KEATS, AND ONCE THE CONE SISTERS HAD EXPERIENCED THE JOY OF ART, THEY CHERISHED THIS SUBLIME FEELING THROUGHOUT THEIR LIVES.

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THE NEW YORK JEWISH MUSEUM'S SHOW LAST YEAR, "COLLECTING MATISSE AND MODERN MASTERS: THE CONE SISTERS OF BALTIMORE", PROVED BREATHTAKING. THE EXHIBITION DISPLAYED ONLY A SMAH PART OF WHAT HAS BEEN CALLED "A COLLECTION OF COLLECTIONS" OF EXQUISITE PAINTINGS, GRAPHIC WORKS, PRINTS, SCULPTURE, FURNITURE, EMBROIDERY, RUGS, AND TEXTILES. BUT THE CORE OF THE COLLECTION, ITS PRIDE AND GLORY, IS MATISSE, WHOSE PORTRAITURE, STILL-LIFES, SCULPTURE AND LANDSCAPES WERE ON VIEW.

Sergei Diaghilev's "Ballets Russes" on the Tretyakov Gallery Stage

Yevgenia Ilyukhina, Irina Shumanova

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#3 2013 (40)

Sergei Diaghilev occupies a special place in the culture of the 20th century – many publications have analysed his personality and artistic projects. But who can state that the puzzle of Diaghilevʼs infinite creativity has been unriddled. For many, he is not so much a real person as a composite figure of the ideal impresario, in whom the talent of an organizer was married to an exceptional sensitivity and receptivity to any innovation in art and, of course, the faculty for finding like-minded individuals and financing for his projects.

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SERGEI DIAGHILEV OCCUPIES A SPECIAL PLACE IN THE CULTURE OF THE 20TH CENTURY - MANY PUBLICATIONS HAVE ANALYSED HIS PERSONALITY AND ARTISTIC PROJECTS. BUT WHO CAN STATE THAT THE PUZZLE OF DIAGHILEV'S INFINITE CREATIVITY HAS BEEN UNRIDDLED? FOR MANY, HE IS NOT SO MUCH A REAL PERSON AS A COMPOSITE FIGURE OF THE IDEAL IMPRESARIO, IN WHOM THE TALENT OF AN ORGANIZER WAS MARRIED TO AN EXCEPTIONAL SENSITIVITY AND RECEPTIVITY TO ANY INNOVATION IN ART AND, OF COURSE, THE FACULTY FOR FINDING LIKE-MINDED INDIVIDUALS AND FINANCING FOR HIS PROJECTS.

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