Magazine issue:
#3 2015 (48)
Serov’s contribution to the art of sculpture should not be seen as the result of any serious professional application, being instead a kind of “intermission” in his hard work as a painter. Most of his “non-painterly” works seem to have appeared spontaneously: they had nothing to do with the general direction that his artistic career was taking at any point, were confined to separate periods of his career, and may be characterized as “trying his hand at sculpting”.
Serov’s contribution to the art of sculpture should not be seen as the result of any serious professional application, being instead a kind of “intermission” in his hard work as a painter. Most of his “non-painterly” works seem to have appeared spontaneously: they had nothing to do with the general direction that his artistic career was taking at any point, were confined to separate periods of his career, and may be characterized as “trying his hand at sculpting”.
