Emanuel Vigeland

SACRED TEARS

Stig Sæterbakken

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

QUICQUID DEUS CREAVIT PURUM EST, it reads above the entrance to Tomba Emmanuelle, EVERYTHING CREATED BY GOD IS PURE, in what seems to be the perfect antithesis to the dark inferno of sex and death one enters seconds later. But only seems. For what, if not purity, is the very essence of the VITA, with its never-ending cycle of birth, growth and death, purity of vision, and purity of form, all of mankind’s vitality and anxieties and unspeakable fears frozen in almost ornamental patterns of naked figures? The scenes are those of both productive and counterproductive human activity, men and women engaged in Kama-Sutra-like lovemaking side by side with skulls and bones and decomposing corpses, with the ultimate synthesis of life and death conjured up in what is perhaps the most extreme image of them all, that of two skeletons copulating at the base of a monolith of levitating infants.

SACRED TEARS

1. QUICQUID DEUS CREAVIT PURUM EST, it reads above the entrance to Tomba Emmanuelle, EVERYTHING CREATED BY GOD IS PURE, in what seems to be the perfect antithesis to the dark inferno of sex and death one enters seconds later. But only seems. For what, if not purity, is the very essence of the VITA, with its never-ending cycle of birth, growth and death, purity of vision, and purity of form, all of mankind's vitality and anxieties and unspeakable fears frozen in almost ornamental patterns of naked figures?

EMANUEL VIGELAND AND THE "TOMBA EMMANUELLE"

Seung Hae Yu

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

Emanuel Vigeland (1875-1948) was a renowned norwegian artist, especially famous for his stained glass works and fresco paintings. The versatility of his talent was manifested in the variety of materials he worked with to create an extensive collection of artwork. however, emanuel is often overshadowed by his better known brother Gustav Vigeland and by Edvard Munch, another great artist of the same period.

EMANUEL VIGELAND AND THE "TOMBA EMMANUELLE"

Emanuel Vigeland (1875-1948) was a renowned norwegian artist, especially famous for his stained glass works and fresco paintings. The versatility of his talent was manifested in the variety of materials he worked with to create an extensive collection of artwork. however, emanuel is often overshadowed by his better known brother Gustav Vigeland and by Edvard Munch, another great artist of the same period.

FOLLOWING THE SUN. PIONEERING ART IN THE DECORATION OF PUBLIC SPACES

Petra Pettersen

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

As part of Kristiania's Royal Frederik University's centenary celebrations in 1911, a new festival hall - the Aula - was planned as the artistic and symbolic highlight of the jubilee. Separated from its union with Sweden in 1905, Norway had become a sovereign state, and the young country had a desire to proclaim its national status. The decoration of the Aula's eleven wall panels was included in the plan for the university's centennial celebration in September 1911. Edvard Munch entered the competition to decorate the Aula in spring 1909 and his draft was accepted for further development in March 1910, along with proposals made by the artist Emanuel Vigeland.

FOLLOWING THE SUN. PIONEERING ART IN THE DECORATION OF PUBLIC SPACES

As part of Kristiania's1 Royal Frederik University's centenary celebrations in 1911, a new festival hall - the Aula - was planned as the artistic and symbolic highlight of the jubilee. Separated from its union with Sweden in 1905, Norway had become a sovereign state, and the young country had a desire to proclaim its national status. The decoration of the Aula's eleven wall panels was included in the plan for the university's centennial celebration in September 1911.

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