Arkady Plastov

THE CREATION OF Arkady Plastov’s "Bathing the Horses”. MARKING THE 125th ANNIVERSARY OF THE ARTIST’S BIRTH

Tatyana Plastova

Article: 
MASTERPIECES OF RUSSIAN ART
Magazine issue: 
#4 2018 (61)

“Bathing the Horses” is one of the most important works that Arkady Plastov (1893-1972) accomplished in the decade of the 1930s. Created for the 1938 “Exhibition on the 20th Anniversary of the Workers’ and Peasants’ Red Army”, it was effectively a commissioned work, but nevertheless remains one of the most genuine and honest paintings of its period. Like the artist’s “Harvest Feast”, it reflects Plastov’s almost instantaneous evolution into a master of painting in oil. The story of the painting, along with its creator’s quest to capture its artistic quintessence, is particularly relevant for understanding the foundation and development of Plastov’s artistic vocabulary in the late 1930s.

THE CREATION OF Arkady Plastov’s "Bathing the Horses”. MARKING THE 125th ANNIVERSARY OF THE ARTIST’S BIRTH

Arkady Plastov. Portraits of the Artist

Tatiana Plastova

Article: 
HERITAGE
Magazine issue: 
#4 2010 (29)

The verse of the great Russian poet of the 20th century can be seen as an epigraph to the destinies of the generation of Russians who grew up with and came of age together with the 20th century. For all the differences in their life stories, Boris Pasternak and Arkady Plastov were contemporaries in the deepest sense of the word: if for nothing else, they were connected by the fact that Leonid Pasternak - the poet’s father - taught Plastov at the Moscow School of Painting, Sculpture and Architecture.

Arkady Plastov. Portraits of the Artist

On November 15 2010 the Museum of the People’s Artist of the USSR Arkady Plastov opened its doors in Ulyanovsk. The exhibition tells about the painter’s life and achievements. More than 100 works reveal the process of formation and development of the painter’s artistic method.

And never for a single moment
Betray your credo or pretend,
But be alive - this only matters –
Alive and burning to the end.

Arkady Plastov. Reading Tolstoy

Tatiana Plastova

Article: 
EVENT. THE YEAR OF RUSSIAN LITERATURE
Magazine issue: 
#1 2016 (50)

“Reading Tolstoy” is the first exhibition of Arkady Plastov’s art to bring together almost all of his works dedicated to Leo Tolstoy and Tolstoy’s literary heritage. In November 2015 the Leo Tolstoy Museum in Moscow, the Tretyakov Gallery and members of the artist’s family contributed works to the show in the Tolstoy Centre Museum in Moscow.

Arkady Plastov. Reading Tolstoy

“Reading Tolstoy” is the first exhibition of Arkady Plastov’s art to bring together almost all of his works dedicated to Leo Tolstoy and Tolstoy’s literary heritage. In November 2015 the Leo Tolstoy Museum in Moscow, the Tretyakov Gallery and members of the artist’s family contributed works to the show in the Tolstoy Centre Museum in Moscow.

The Plastovs - A Family of Artists

Tatyana Plastova

Article: 
ARTISTIC DYNASTY
Magazine issue: 
#4 2011 (33)

The Plastovs are an ancient Russian family. Their ancestors, many of whom were priests, lived in the Arzamas region. Legend has it that one of the Plastovs was a cleric in an area populated by the Mordvins (the Erzya people). Their family surname then was Sinitsyn, and among them was, in the late 18th-early 19th centuries a certain Vasily Sinitsyn, a deacon fond of painting. One of the Sinitsyn family was an apprentice with the icon painter Plastov — he painted icons with the artist travelling from village to village. When his mentor died, the apprentice took his family name: at first he was called Plastov the apprentice, and then simply Plastov. The first family member about whom anything is reliably known is Gavrila Stepanovich Plastov (1801-c.1843), whose father is known to have been a cleric. Gavrila studied at (but did not graduate from) a seminary in Kazan. He also studied at an art school in Arzamas founded in 1802 by the painter Alexander Stupin. Founded on academic principles (Stupin himself had studied at the Academy of Arts in St. Petersburg), the school had a curriculum combining professional education with a large range of general subjects and was endorsed by the Academy. The school placed a special emphasis on teaching icon painting.

The Plastovs - A Family of Artists

The Plastovs are an ancient Russian family. Their ancestors, many of whom were priests, lived in the Arzamas region. Legend has it that one of the Plastovs was a cleric in an area populated by the Mordvins (the Erzya people). Their family surname then was Sinitsyn, and among them was, in the late 18th-early 19th centuries a certain Vasily Sinitsyn, a deacon fond of painting. One of the Sinitsyn family was an apprentice with the icon painter Plastov — he painted icons with the artist travelling from village to village.

Tatiana Yablonskaya. 1949. The artist's "true heart"

Olga Polyanskaya

Article: 
PORTRAIT OF THE ARTIST
Magazine issue: 
#4 2014 (45)

THERE ARE 35 PAINTINGS BY THE RENOWNED UKRAINIAN ARTIST TATIANA YABLONSKAYA (1917-2005)1 AT THE TRETYAKOV GALLERY. THE ONE THAT HAS BEEN ON PERMANENT DISPLAY SINCE ITS ACQUISITION AND HAS RIGHTFULLY BECOME ONE OF THE GALLERY'S ICONIC IMAGES IS "GRAIN" (1949). THIS PAINTING HAS LONG AGO TRANSCENDED ITS ERA AND BECOME A FAVOURITE FOR SEVERAL GENERATIONS OF RUSSIAN ART-LOVERS. "GRAIN" WAS CREATED IN 1949, A YEAR THAT BEARS SYMBOLIC MEANING BOTH FOR YABLONSKAYA'S WORK AND THE HISTORY OF POST-WAR SOVIET ART AS A WHOLE.

Tatiana Yablonskaya. 1949. The artist's "true heart"

THERE ARE 35 PAINTINGS BY THE RENOWNED UKRAINIAN ARTIST TATIANA YABLONSKAYA (1917-2005)1 AT THE TRETYAKOV GALLERY. THE ONE THAT HAS BEEN ON PERMANENT DISPLAY SINCE ITS ACQUISITION AND HAS RIGHTFULLY BECOME ONE OF THE GALLERY'S ICONIC IMAGES IS "GRAIN" (1949). THIS PAINTING HAS LONG AGO TRANSCENDED ITS ERA AND BECOME A FAVOURITE FOR SEVERAL GENERATIONS OF RUSSIAN ART-LOVERS. "GRAIN" WAS CREATED IN 1949, A YEAR THAT BEARS SYMBOLIC MEANING BOTH FOR YABLONSKAYA'S WORK AND THE HISTORY OF POST-WAR SOVIET ART AS A WHOLE.

Syndicate content