Avant-garde culture

The Passionate Dance of the Avant-Garde

Tatiana Gubanova

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#1 2006 (10)

Museum of Modern Art in Rovereto (Trento province, Italy) opened an exhibition titled ‘The Dance of the Avant-Garde" on December 16, displaying paintings, scenography and costumes from Degas to Picasso, from Matisse to Haring. Over 1,000 paintings, sculptures, graphic works and photographs created in the 20th century introduce the viewer to the magical union of dance and the visual arts, and to the wonderful century of real-life and fantastic images.

The Passionate Dance of the Avant-Garde

Museum of Modern Art in Rovereto (Trento province, Italy) opened an exhibition titled ‘The Dance of the Avant-Garde" on December 16, displaying paintings, scenography and costumes from Degas to Picasso, from Matisse to Haring. Over 1,000 paintings, sculptures, graphic works and photographs created in the 20th century introduce the viewer to the magical union of dance and the visual arts, and to the wonderful century of real-life and fantastic images.

Creative Spirit: Alexander Archipenko's Contribution

Alexandra Keiser

Article: 
HERITAGE
Magazine issue: 
#2 2006 (11)

From 1923 until his death in 1964, Alexander Archipenko lived in the United States where he produced a large body of work. While Archipenko scholars have focused mainly on his early years in France and his contributions to Cubism, it is only now that researchers are examining the artist’s practice and the reception he received during this later period, and his place in the wider structure of avant-garde culture.

Creative Spirit: Alexander Archipenko's Contribution

From 1923 until his death in 1964, Alexander Archipenko lived in the United States where he produced a large body of work. While Archipenko scholars have focused mainly on his early years in France and his contributions to Cubism, it is only now that researchers are examining the artist’s practice and the reception he received during this later period, and his place in the wider structure of avant-garde culture.

“Vanguardias rusas” at the Museo Thyssen-Bomemisza, Madrid, Spain, 2006

John E. Bowlt

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#2 2006 (11)

The Museo Thyssen-Bomemisza, Madrid opened a major exhibition of the Russian avant-garde at the beginning of 2006 (February-May), the first of its kind in the Spanish capital. Entitled “Vanguardias rusas” and based on works from the Tretyakov Gallery, the Russian Museum, Russian regional museums and other public and private collections, the exhibition emphasized the interdisciplinary nature of Russian Modernism. Apart from major paintings, including, incidentally, Goncharova’s “Fishing” (1909) and Larionov’s “Baker” (1909) from the Museo Thyssen itself, the selection encompassed sculpture (including two Cubist pieces by Baranov-Rossine), book design (by Lissitzky and Stepanova), applied arts (including examples from the archive of the Decorative Institute, Leningrad, shown here for the first time), commercial design (such as movie posters by the Stenberg brothers), agit-propaganda (such as street art by Al’tman and posters by Klutsis), porcelain, textile designs and photography (including work by Ignatovich and Rodchenko), to mention just a fraction of this panoramic repertoire.

“Vanguardias rusas” at the Museo Thyssen-Bomemisza, Madrid, Spain, 2006

"Art of the 20th Century. The View from Vienna"

Andrei Gamlitsky

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#3 2006 (12)

From June 8 until July 2 2006, works from the collection of Monsignor Otto Mauer were exhibited at the Museum of Modern Art on Petrovka Street in Moscow. The exhibition was organized by the Culture Committee of the Moscow Government under the auspices of the Austrian Embassy, within the programme of “Vienna Days in Moscow”. The exhibition’s concept, idea and organization by Art and Business Culture Management Curators Milena Wildenauer and Dr. Eva Stangl-Teimer.

"Art of the 20th Century. The View from Vienna"

From June 8 until July 2 2006, works from the collection of Monsignor Otto Mauer were exhibited at the Museum of Modern Art on Petrovka Street in Moscow. The exhibition was organized by the Culture Committee of the Moscow Government under the auspices of the Austrian Embassy, within the programme of “Vienna Days in Moscow”. The exhibition’s concept, idea and organization by Art and Business Culture Management Curators Milena Wildenauer and Dr. Eva Stangl-Teimer.

Eric Bulatov in the Tretyakov Gallery

Andrei Erofeyev

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#4 2006 (13)

The entire artistic heritage of Eric Bulatov is being showcased in a landmark exhibition, made possible due to fruitful co-operation of the Tretyakov Gallery and the Cultural Foundation “Ekaterina”, and financial support of NCP GOC “Stroyteks” and OJSC “Surgutneftegas” and Fond “Novi”. Exhibiting a major Russian painter who has achieved distinction over the last 40 years, the result is nothing less than an international sensation.

Eric Bulatov in the Tretyakov Gallery

The entire artistic heritage of Eric Bulatov is being showcased in a landmark exhibition, made possible due to fruitful co-operation of the Tretyakov Gallery and the Cultural Foundation “Ekaterina”, and financial support of NCP GOC “Stroyteks” and OJSC “Surgutneftegas” and Fond “Novi”. Exhibiting a major Russian painter who has achieved distinction over the last 40 years, the result is nothing less than an international sensation.

Full of Beauty and Suffering Pavel Filonov

John E. Bowlt

Article: 
EXCLUSIVE PUBLICATIONS
Magazine issue: 
#4 2006 (13)

The eleventh issue of the journal Experiment is a collection of articles on Pavel Filonov edited by Nicoletta Misler, Irina Menshova and John E. Bowlt. Published in Los Angeles in 2005, this issue is dedicated to the memory of Evgeny Kovtun (1928-1996), who devoted his life to the study of modern Russian art and to the art of Pavel Filonov in particular.

Full of Beauty and Suffering Pavel Filonov

The eleventh issue of the journal Experiment is a collection of articles on Pavel Filonov edited by Nicoletta Misler, Irina Menshova and John E. Bowlt. Published in Los Angeles in 2005, this issue is dedicated to the memory of Evgeny Kovtun (1928-1996), who devoted his life to the study of modern Russian art and to the art of Pavel Filonov in particular.

To See the World Transformed. On the 120th anniversary of the birth of Olga Rozanova

Yevgenia Polatovskaya

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#2 2007 (15)

On March 29, at the end of its jubilee year, the Tretyakov Gallery opened new exhibition premises reconstructed by the Government of Moscow - “The Exhibition Hall in Tolmachi”, which is close to the main building of the gallery. The opening of the new hall was marked by the solo exhibition of Olga Rozanova (1886-1918), one of the most significant figures of the Russian avant-garde, who left a distinct heritage in 20th century art, despite her short life. More than 50 canvases and graphic works are on display

To See the World Transformed. On the 120th anniversary of the birth of Olga Rozanova

On March 29, at the end of its jubilee year, the Tretyakov Gallery opened new exhibition premises reconstructed by the Government of Moscow - “The Exhibition Hall in Tolmachi”, which is close to the main building of the gallery. The opening of the new hall was marked by the solo exhibition of Olga Rozanova (1886-1918), one of the most significant figures of the Russian avant-garde, who left a distinct heritage in 20th century art, despite her short life. More than 50 canvases and graphic works are on display.

A JOURNEY OF ARCHITECTURAL DISCOVERY. “The Lost Vanguard” Exhibition: Russian Modernist Architecture 1922-1932

Natella Voiskounski

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#4 2007 (17)

The exhibition of work by Richard Pare in New York’s Museum of Modern Art features one of the most immediate and tragic phenomena in the history of Soviet (and Russian) modernist architecture. The exhibition “The Lost Vanguard” highlights some 75 photographs by the architectural photographer Richard Pare, who has worked from 1993 to the present day, making eight extensive trips to Russia and the former Soviet republics and creating nearly 10,000 images to compile a timely documentation of numerous modernist structures, including the most neglected. The exhibition was made possible by the Russian Avant-garde Fund and Senator Sergei Gordeev, its founder and president.

AJOURNEY OF ARCHITECTURAL DISCOVERY. “The Lost Vanguard” Exhibition: Russian Modernist Architecture 1922-1932

From Russia: FRENCH AND RUSSIAN MASTER PAINTINGS 1870-1925 FROM MOSCOW AND ST. PETERSBURG 26 January - 18 April 2008

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2008 (18)

In January 2008, the Royal Academy of Arts staged a landmark exhibition presenting modern masterpieces drawn from Russia’s principal collections: the State Pushkin Museum of Fine Arts and the State Tretyakov Museum in Moscow, and the State Hermitage Museum and the State Russian Museum in St. Petersburg.

From Russia: FRENCH AND RUSSIAN MASTER PAINTINGS 1870-1925 FROM MOSCOW AND ST. PETERSBURG

In January 2008, the Royal Academy of Arts staged a landmark exhibition presenting modern masterpieces drawn from Russia’s principal collections: the State Pushkin Museum of Fine Arts and the State Tretyakov Museum in Moscow, and the State Hermitage Museum and the State Russian Museum in St. Petersburg.

Alexander Kharitonov “A miracle is always unconspicuous”

Tatiana Sokolova

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2008 (18)

Historically, Alexander Kharitonov is one of the brightest founders of the Russian avant-garde of the 1960s. But he occupies a special place in the constellation of non-conformist artists working outside the official mainstream: untouched by anything social, his art is profoundly religious.

Alexander Kharitonov “A miracle is always unconspicuous”

Historically, Alexander Kharitonov is one of the brightest founders of the Russian avant-garde of the 1960s. But he occupies a special place in the constellation of non-conformist artists working outside the official mainstream: untouched by anything social, his art is profoundly religious.

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