Tretyakov Gallery

"A Duty to My People..."

Eleonora Paston

Article: 
MASTERPIECES OF RUSSIAN ART
Magazine issue: 
#3 2006 (12)

In June 1898 an important event occurred at the Tretyakov Gallery, already then donated by Pavel Tretyakov to the city of Moscow. Pavel Mikhailovich acquired for the gallery the paintings by Viktor Vasnetsov, "Warrior Knights" (1898) and "Tsar Ivan the Terrible" (1897). At the same time Tretyakov had the pictures on display re-arranged: the exhibition rooms were closed until early November and Vasnetsov received the opportunity to make new amendments to his recent pieces. "In the ‘Warrior Knights’ everything that needed touching up was touched up," the artist wrote to Tretyakov on October 5 1898, "for the better, I believe."[1] Amazingly, this was said after the artist had been working on the painting for 30 years!

"A Duty to My People..."

Gifts for the Next 150 Years

Natalya Alexandrova

Article: 
150th ANNIVERSARY OF TRETYAKOV GALLERY
Magazine issue: 
#3 2006 (12)

The anniversary of the Tretyakov Gallery was accompanied not only by exhibitions and gala celebrations but also by numerous presents from public and state organizations, as well as from individuals and artists which supplemented the museum’s collection with fine works of Russian art.

Gifts for the Next 150 Years

The anniversary of the Tretyakov Gallery was accompanied not only by exhibitions and gala celebrations but also by numerous presents from public and state organizations, as well as from individuals and artists which supplemented the museum’s collection with fine works of Russian art.

Anniversary Chronicle

Marina Elzesser

Article: 
150th ANNIVERSARY OF TRETYAKOV GALLERY
Magazine issue: 
#3 2006 (12)

In May 2006 the Tretyakov Gallery celebrated the 150th anniversary of its foundation. It is no accident that the history of the museum is regarded as having started in 1856 when Pavel Tretyakov first began to buy paintings by Russian artists, and not 1881 when the gallery was opened to the public, or 1892 when the Tretyakov brothers’ collections were given to the city of Moscow. The reality is that, before starting his collection, Pavel Tretyakov had conceived it not as a private collection appealing to his personal taste but as an “artistic museum”, a “... public repository of fine arts accessible to everyone, a source of use for many, a pleasure for all”. That is why Tretyakov himself- and after his death, the gallery’s Board of Trustees - confidently marked 1856 as the beginning of the first Russian national fine arts museum.

Anniversary Chronicle

Society Creates Museums - Museums Create Society

Maria Burganova

Article: 
POINT OF VIEW
Magazine issue: 
#1 2007 (14)

The Engineering Wing of the State Tretyakov Gallery hosted an international conference to mark the gallery’s 150th anniversary. Entitled “The Museum and Society”, this event was opened with a congratulatory address from the Russian UNESCO Commission.

Society Creates Museums - Museums Create Society

The Engineering Wing of the State Tretyakov Gallery hosted an international conference to mark the gallery’s 150th anniversary. Entitled “The Museum and Society”, this event was opened with a congratulatory address from the Russian UNESCO Commission.

"Solomon’s Wall" in Moscow

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#2 2007 (15)

Vasily Vereshchagin’s “Solomon’s Wall” (1884-1885) came to Russia for the first time and was exhibited for two weeks in March at the Tretyakov Gallery in the Vereshchagin Room, next to other works by this famous Russian artist.

"Solomon’s Wall” in Moscow

Vasily Vereshchagin’s “Solomon’s Wall” (1884-1885) came to Russia for the first time and was exhibited for two weeks in March at the Tretyakov Gallery in the Vereshchagin Room, next to other works by this famous Russian artist.

Solomon’s Wall. 1884–1885
Solomon’s Wall. 1884–1885
Oil on canvas. 196.3 by 149.4 cm

China-Russia: On the Crossroads of Cultures

Article: 
Events
Magazine issue: 
#4 2017 (57)

“Foundation GRANY. Art-Crystal-Brut” has celebrated its 10th anniversary with the publication of the monumental issue “China-Russia: On the Crossroads of Cultures” in Russian, English - and Chinese. For the first time the “Tretyakov Gallery” Magazine has addressed itself directly to the world’s largest readership.

In 2011, the Foundation came forward with an immediate initiative, titled “On the Crossroads of Cultures", which was demanded by the time and became a new direction of the Foundation's multifaceted activity. Such special issues of the “Tretyakov Gallery" Magazine as “America - Russia", “Great Britain - Russia", “Spain - Russia", “Norway - Russia", “Italy - Russia", “Switzerland - Russia", and “China - Russia" have determined cross-cultural contacts. The programme of special issues has also organically included the East: in 2015, the magazine created the issue “The Art of Buddhism" dedicated to thangka painting, and in 2017 the Russian-English magazine was also published in the Chinese language.

ON THE CROSSROADS OF CULTURES

Плакат с обложкой специального выпуска «Китай - Россия. На перекрестках культур» Плакат с обложкой специального выпуска «Китай - Россия. На перекрестках культур»

The Tretyakov Gallery. YESTERDAY, TODAY, TOMORROW

Zelfira Tregulova, Tatyana Yudenkova

Magazine issue: 
#3 2017 (56)

Founded at the end of the 19 th century by the Moscow merchants and art-collectors Pavel and Sergei Tretyakov, Russia’s largest museum of national art has became a symbol of the country’s consciousness and culture. Pavel Mikhailovich (1832-1898), the elder brother, remains much better-known than his younger sibling, and the Tretyakov Gallery directly owes its existence to him. Pavel Tretyakov made a promise to himself to establish in his native city “a National Gallery, in other words a gallery containing the works of Russian artists”[1] and worked relentlessly toward that goal all his life. He passed on his enthusiasm to his younger brother, Sergei Mikhailovich (1834-1892), who became one of the outstanding collectors of his era, assembling an unique collection of 19th century European paintings. In 1892, Pavel bequeathed to the city of Moscow both his own and his brother’s collections. It was an extraordinary precedent in the history of Russian philanthropy, and the united collection was officially named the “Pavel and Sergei Tretyakov City Gallery of Art”, becoming the nation’s major museum of the era.

The Tretyakov Gallery. YESTERDAY, TODAY, TOMORROW

Founded at the end of the 19 th century by the Moscow merchants and art-collectors Pavel and Sergei Tretyakov, Russia’s largest museum of national art has became a symbol of the country’s consciousness and culture.

Among Moscow Collectors. DRAWINGS FROM MOSCOW PRIVATE COLLECTIONS OFTHE LATE 19TH - EARLY 20TH CENTURY

Irina Shumanova, Yevgenia Ilukhina

Article: 
ART COLLECTORS AND PATRONS
Magazine issue: 
#3 2007 (16)

Over the last ten years the Tretyakov Gallery has been displaying drawings from its collections at temporary exhibitions. The exhibition programme has had a continuous focus on the history of the collection of 18th-20th century drawings. The gallery’s 20th exhibition in the series reflects a new stage in the history of its collection - namely, the significant enlargement of the collection in the first decade following the Bolshevik revolution due to new acquisitions from private Moscow collections.

Among Moscow Collectors. DRAWINGS FROM MOSCOW PRIVATE COLLECTIONS OFTHE LATE 19TH - EARLY 20TH CENTURY

"But of course it is creative work - this undying, unbelievable love, the unrelenting obsession, the frantic persistence and obstinacy in searching and pursuing, the ceaseless work in the domain of art and history and, first and foremost, work of the eye, not the outer eye, ... but the inner eye, an intuitive insight into the essence of a piece of art, the collector's perspicacity."

Igor Grabar

 

The opening of the Mikhail Vrubel room

Article: 
EVENTS
Magazine issue: 
#3 2007 (16)

28 June 2007 saw the opening of the Mikhail Vrubel room which has been reconstructed to mark the 150th anniversary of the artist’s birth and the founding of the Tretyakov Gallery. The new design of the Vrubel room is just as important an event for the museum as the major anniversary exhibitions. The room first appeared in the Tretyakov Gallery as part of the reconstruction of the main building in Lavrushinsky Pereulok which took place from 1986-1995. It was specially designed and built in order to display works by one of Russia’s most outstanding artists at the turn of the 19th century, Mikhail Vrubel (1856-1910). Thanks to the generous financial support of Viktor Vekselberg it has been possible to undertake the present reconstruction of the room to celebrate the anniversary of the artist’s birth.

The opening of the Mikhail Vrubel room

28 June 2007 saw the opening of the Mikhail Vrubel room which has been reconstructed to mark the 150th anniversary of the artist’s birth and the founding of the Tretyakov Gallery.

AN ARTIST OF "HELLENIC" SPIRIT

Galina Churak

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#4 2016 (53)

Marking in advance the bicentenary of the birth of Ivan Aivazovsky (1817-1900), which will fall on July 29 2017, the Tretyakov Gallery presents a major exhibition of this great master, a truly timeless artist. “Whatever anyone may say, Aivazovsky is a star of the most splendid magnitude. A star not only in his homeland, but one which shines within the entire history of art. Aivazovsky’s legacy, in the three to four thousand canvases that he created, contains truly phenomenal paintings that will forever remain as such.” Thus wrote the artist Ivan Kramskoi, that most thorough and intelligent art critic, one who had a most precise understanding of the artistic process.

AN ARTIST OF "HELLENIC" SPIRIT
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