Larionov’s Rayonism

"Living in the territory of art”. NEW PERSPECTIVES ON MIKHAIL LARIONOV

Yevgenia Ilyukhina

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#4 2018 (61)

Something of a legend in Russian art of the early 20th century, and one of the most brilliant representatives of the country’s avant-garde of that time, Mikhail Larionov is one of the last artists of his generation whose work can be said to have “returned” to Russia in its entirety. His exhibition history has been complicated: a participant in, and organizer of some of the “roaringly popular” shows of the 1910s, Larionov left Russia on Diaghilev’s invitation in 1915, and his name has somehow been “missing” from the country’s cultural map ever since. World War I, the Russian Revolution and the Civil War made it practically impossible for the artist, then living in France, to participate in the artistic life of his homeland. Thus, the new exhibition at the Tretyakov Gallery on Krymsky Val that opened in September 2018 reveals many new facets of Larionov’s work to Russian viewers.

"Living in the territory of art”. NEW PERSPECTIVES ON MIKHAIL LARIONOV

Goncharova, Music and Theatre

Inessa Kouteinikova

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2014 (42)

NATALIA GONCHAROVAS SUBTLE, DISTINGUISHED, HIGHLY MUSICAL AND LEARNED DESIGNS FOR THE THEATRE ELUCIDATE A FUNDAMENTAL SHIFT FROM THE EMPHASIS ON THE BOMBASTIC, GLORY-OBSESSED CELEBRATIONS FOR DIAGHILEV'S SPECTACLES TO PERFORMANCES THAT STRESSED THE VIRTUES OF INDIVIDUALITY, FANTASY AND HISTORY. DIAGHILEV'S ABSOLUTE POWER WITHIN THE RUSSIAN WORLD OF THEATRE, SIMILAR TO THAT OF LOUIS XIV, RESIDED IN ITS REPRESENTATION AND CONTROL OF THAT REPRESENTATION, WHICH RESIDED NOT ONLY WITH DIAGHILEV BUT ALSO WITH HIS ARTISTS, WHO, LIKE THE KING'S HISTORIOGRAPHERS, CREATED THEATRICAL IMAGES ON WHICH THE OPINION OF POSTERITY DEPENDED.

Goncharova, Music and Theatre

NATALIA GONCHAROVAS SUBTLE, DISTINGUISHED, HIGHLY MUSICAL AND LEARNED DESIGNS FOR THE THEATRE ELUCIDATE A FUNDAMENTAL SHIFT FROM THE EMPHASIS ON THE BOMBASTIC, GLORY-OBSESSED CELEBRATIONS FOR DIAGHILEV'S SPECTACLES TO PERFORMANCES THAT STRESSED THE VIRTUES OF INDIVIDUALITY, FANTASY AND HISTORY.

Goncharova -"This Name Had the Ring of Victory"

Irina Vakar

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2014 (42)

THE EXHIBITION "NATALIA GONCHAROVA. EAST AND WEST", RUNNING AT THE TRETYAKOV GALLERY FROM OCTOBER 16 2013 TO FEBRUARY 16 2014, PRESENTS MANY OF THE ARTIST'S PAINTINGS FROM HER LATER EUROPEAN PERIOD TO RUSSIAN VIEWERS FOR THE FIRST TIME. DISPLAYING THE FULL STYLISTIC RANGE OF HER WORK, IT REVEALS A FIGURE FOR WHOM THE CONCEPT OF EXPERIMENTATION IN GENRE REMAINED FUNDAMENTAL.

Goncharova -"This Name Had the Ring of Victory"

THE EXHIBITION "NATALIA GONCHAROVA. EAST AND WEST", RUNNING AT THE TRETYAKOV GALLERY FROM OCTOBER 16 2013 TO FEBRUARY 16 2014, PRESENTS MANY OF THE ARTIST'S PAINTINGS FROM HER LATER EUROPEAN PERIOD TO RUSSIAN VIEWERS FOR THE FIRST TIME. DISPLAYING THE FULL STYLISTIC RANGE OF HER WORK, IT REVEALS A FIGURE FOR WHOM THE CONCEPT OF EXPERIMENTATION IN GENRE REMAINED FUNDAMENTAL.

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