Contemporary art

Italian Art of the 20th Century: Eminent Artists of the Marche region

Armando Ginesi

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
Special issue. ITALY-RUSSIA: ON THE CROSSROADS OF CULTURES

There is no doubt that in the 20th century one of the main features of European and Western art was a pluralism of artistic style. Starting with Impressionism, a powerful stream of centrifugal forces emerged, multiplying and spreading different forms of artistic expression all over the world and reaching giant dimensions with the appearance of the “historical avant-garde” and “Neo-avant-garde” after World War II. This active promotion of new forms would at times slow down, as if taking a break for short reflection, to subsequently give rise to new and more dynamic developments of different artistic styles.

Italian Art of the 20th Century: Eminent Artists of the Marche region

There is no doubt that in the 20th century one of the main features of European and Western art was a pluralism of artistic style. Starting with Impressionism, a powerful stream of centrifugal forces emerged, multiplying and spreading different forms of artistic expression all over the world and reaching giant dimensions with the appearance of the “historical avant-garde” and “Neo-avant-garde” after World War II.

SPANISH ART: THE CONTEMPORARY PERIOD

Enrique Andrés Ruiz

Magazine issue: 
#4 2015 (49)

There must have existed some moment, all but forgotten now, when the expression "contemporary art" was still capable of alluding to a particular historical reality in the art world. That reality would have provided a sufficiently natural link of continuity between the ancient and modern historical - artistic account with a new chapter. But today we know - and above all feel - that contemporary art (and the idea of the "contemporary" in general) can no longer be just another episode in the wider story, despite the fact that museums and historians find their raison d'être in this "narrative inertia".

SPANISH ART: THE CONTEMPORARY PERIOD

Dedicated to Emilio Vilanova Martinez-Frias

AND THE WHITE SNOW AS A CLEAN SHEET OF PAPER

Anna Dyakonitsyna

Magazine issue: 
#4 2015 (49)

Shortly before the Christmas and New Year celebrations, a show of Francisco Infante and Nonna Goryunova titled "Snow Meridian" opened at the Krymsky Val building of the Tretyakov Gallery. It is mounted in a special project section, which is the final stop in the enfilade on the upper storey housing the permanent exhibition "20th-century Art" and also serves as an entry to the section of the newest art trends located on the first storey. The borderline position of the exhibition space - between modern and contemporary art, tradition and experiment - determines the context framing the contemporary artists' exhibition as a part of the personal shows programme. The choice to present Francisco Infante's work as part of the Tretyakov Gallery's special projects programme is not accidental. Infante, who is known for breaking the basic conventions of art and crossing its accepted boundaries, shows us the harmony of creation through new forms and technical solutions; today, he is an acknowledged master. A Spaniard who grew up and lives in Moscow, Francisco Infante is one of those artists whose work defines today's art.

AND THE WHITE SNOW AS A CLEAN SHEET OF PAPER

Shortly before the Christmas and New Year celebrations, a show of Francisco Infante and Nonna Goryunova titled "Snow Meridian"* opened at the Krymsky Val building of the Tretyakov Gallery. It is mounted in a special project section, which is the final stop in the enfilade on the upper storey housing the permanent exhibition "20th-century Art" and also serves as an entry to the section of the newest art trends located on the first storey.

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