Arshile Gorky

Arshile Gorky: A Summation Too Soon

Tom Birchenough

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#2 2010 (27)

More than 60 years after his early death, the work of Arshile Gorky continues to be reassessed: the last decade alone has seen the appearance of three new biographies of a figure who is now seen as one of the key forerunners of Abstract Expressionism in America, and a “bridge” between earlier European directions and the New World in the 1940s. A major retrospective exhibition of the artist opened at the Philadelphia Museum of Art in October 2009, before transferring to Tate Modern in London over the Spring, and will close this September at the Museum of Contemporary Art in Los Angeles - by any standards, an impressive “tour” for such an artistic project.

Arshile Gorky: A Summation Too Soon

More than 60 years after his early death, the work of Arshile Gorky continues to be reassessed: the last decade alone has seen the appearance of three new biographies of a figure who is now seen as one of the key forerunners of Abstract Expressionism in America, and a “bridge” between earlier European directions and the New World in the 1940s.

Arshile Gorky: A Summation Too Soon

Tom Birchenough

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue N2. USA–RUSSIA: ON THE CROSSROADS OF CULTURES

More than 60 years after his early death, the work of Arshile Gorky continues to be reassessed: the last decade alone has seen the appearance of three new biographies of a figure who is now seen as one of the key forerunners of Abstract Expressionism in America, and a “bridge” between earlier European directions and the New World in the 1940s. A major retrospective exhibition of the artist opened at the Philadelphia Museum of Art in October 2009, before transferring to Tate Modern in London over the Spring, and will close this September at the Museum of Contemporary Art in Los Angeles - by any standards, an impressive “tour” for such an artistic project.

Arshile Gorky: A Summation Too Soon

More than 60 years after his early death, the work of Arshile Gorky continues to be reassessed: the last decade alone has seen the appearance of three new biographies of a figure who is now seen as one of the key forerunners of Abstract Expressionism in America, and a “bridge” between earlier European directions and the New World in the 1940s.

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