Architecture

A JOURNEY OF ARCHITECTURAL DISCOVERY. “The Lost Vanguard” Exhibition: Russian Modernist Architecture 1922-1932

Natella Voiskounski

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
Special issue N2. USA–RUSSIA: ON THE CROSSROADS OF CULTURES

The exhibition of work by Richard Pare in New York’s Museum of Modern Art features one of the most immediate and tragic phenomena in the history of Soviet (and Russian) modernist architecture. The exhibition “The Lost Vanguard” highlights some 75 photographs by the architectural photographer Richard Pare, who has worked from 1993 to the present day, making eight extensive trips to Russia and the former Soviet republics and creating nearly 10,000 images to compile a timely documentation of numerous modernist structures, including the most neglected. The exhibition was made possible by the Russian Avant-garde Fund and Senator Sergei Gordeev, its founder and president.

A JOURNEY OF ARCHITECTURAL DISCOVERY. “The Lost Vanguard” Exhibition: Russian Modernist Architecture 1922-1932

The exhibition of work by Richard Pare in New York’s Museum of Modern Art features one of the most immediate and tragic phenomena in the history of Soviet (and Russian) modernist architecture. The exhibition “The Lost Vanguard” highlights some 75 photographs by the architectural photographer Richard Pare, who has worked from 1993 to the present day, making eight extensive trips to Russia and the former Soviet republics and creating nearly 10,000 images to compile a timely documentation of numerous modernist structures, including the most neglected.

The History of the Tauride Palace Wall Paintings

Veronica Bogdan

Article: 
HERITAGE
Magazine issue: 
#4 2014 (45)

GRIGORY POTEMKIN WAS THE FIRST OWNER OF THE TAURIDE PALACE IN ST. PETERSBURG, WHICH WAS BUILT IN 1783-1789 TO AN ARCHITECTURAL PROJECT BY IVAN STAROV. THE MANSION'S ORIGINAL NAME WAS THE "HORSE GUARDS HOUSE" AND IT WAS INTENDED ONLY FOR CEREMONIAL RECEPTIONS. ON APRIL 28 1791 IT WAS WHERE HIS HIGHNESS THE FIELD MARSHALL GENERAL, NOVOROSSIYSK GOVERNOR GENERAL AND CONQUEROR OF THE CRIMEA THREW A GRAND BALL IN HONOUR OF CATHERINE THE GREAT AND THE TAKLNG OF ISMAIL. IN AUGUST 1792 THE PALACE REVERTED TO THE CROWN IN REPAYMENT OF THE DEBTS OF THE SUDDENLY DECEASED PRINCE. THE FUNDS FOR FURTHER ALTERATIONS INTENDED BY POTEMKLN (FOR WHICH FYODOR VOLKOV HAD BEEN ENGAGED) AND THE PERFECTION OF THE PARK WERE NOW COMING FROM THE EMPRESS. SHE TOOK SO MUCH OF A FANCY TO THE PALACE THAT SHE MOVED INTO IT AS HER NEW RESIDENCE AS EARLY AS SEPTEMBER 1792 WITHOUT WAITING FOR CONSTRUCTION WORK TO BE COMPLETED.

The History of the Tauride Palace Wall Paintings

GRIGORY POTEMKIN WAS THE FIRST OWNER OF THE TAURIDE PALACE IN ST. PETERSBURG, WHICH WAS BUILT IN 1783-1789 TO AN ARCHITECTURAL PROJECT BY IVAN STAROV. THE MANSION'S ORIGINAL NAME WAS THE "HORSE GUARDS HOUSE" AND IT WAS INTENDED ONLY FOR CEREMONIAL RECEPTIONS. ON APRIL 28 1791 IT WAS WHERE HIS HIGHNESS THE FIELD MARSHALL GENERAL, NOVOROSSIYSK GOVERNOR GENERAL AND CONQUEROR OF THE CRIMEA THREW A GRAND BALL IN HONOUR OF CATHERINE THE GREAT AND THE TAKLNG OF ISMAIL. IN AUGUST 1792 THE PALACE REVERTED TO THE CROWN IN REPAYMENT OF THE DEBTS OF THE SUDDENLY DECEASED PRINCE.

The Paul Klee Centre in Bern

Sophia Petrikova

Article: 
WORLD MUSEUMS
Magazine issue: 
Special issue. SWITZERLAND–RUSSIA: ON THE CROSSROADS OF CULTURES

The opening of the Paul Klee Centre in Bern in July 2005 was an important page in the history of 21st century museum life. In the eyes of its creators, this contemporary museum was to act as a cultural forum, enabling visitors to develop their creative potential through in-depth acquaintance with the artistic legacy of Paul Klee.

The Paul Klee Centre in Bern

The opening of the Paul Klee Centre in Bern in July 2005 was an important page in the history of 21st century museum life. In the eyes of its creators, this contemporary museum was to act as a cultural forum, enabling visitors to develop their creative potential through in-depth acquaintance with the artistic legacy of Paul Klee.

NIDAROS CATHEDRAL ST. OLAV AND RUSSIA THE HISTORY OF ST. OLAV

Øystein Ekroll

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES

When the thaw of spring in the year 1030 finally broke the grip of the Russian winter, a band of warriors left Novgorod and went west. They were led by Olav Haraldsson, a king without a country since he had fled his Norwegian kingdom two years earlier. The Norwegian noblemen had allied themselves with Canute the Great, king of Denmark and England, who wanted to add a third crown to his head, and they had succeeded in chasing Olav out of the country.

NIDAROS CATHEDRAL ST. OLAV AND RUSSIA THE HISTORY OF ST. OLAV

When the thaw of spring in the year 1030 finally broke the grip of the Russian winter, a band of warriors left Novgorod and went west. They were led by Olav Haraldsson, a king without a country since he had fled his Norwegian kingdom two years earlier. The Norwegian noblemen had allied themselves with Canute the Great, king of Denmark and England, who wanted to add a third crown to his head, and they had succeeded in chasing Olav out of the country.

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