Tate Modern | Alberto Giacometti
ALBERTO GIACOMETTI
10 MAY – 10 SEPTEMBER 2017
TATE MODERN | LONDON, UK
Alberto Giacometti, Bust of Diego, c.1956.
Collection Fondation Alberto et Annette Giacometti, Paris. © Alberto Giacometti Estate, ACS/DACS, 2017
Supported by Maryam and Edward Eisler with additional support from the Alberto Giacometti Exhibition Supporters Circle, Tate Patrons, Tate Americas Foundation and Tate Members Tate Modern, Eyal Ofer Galleries
Adult £18.50 (without donation £16.80). Concession £16.50 (without donation £1 5)
Open daily 10.00 - 18.00 and until 22.00 on Friday and Saturday
For public information call +44(0)20 7887 8888, visit tate.org.uk or follow @Tate #Giacometti
This summer Tate Modern will present the UK's first major retrospective of Alberto Giacometti (1901 -1966) for 20 years. Celebrated as a sculptor, painter and draughtsman, Giacometti's distinctive elongated figures are some of the most instantly recognisable works of modern art. This exhibition will reassert Giacometti's place alongside the likes of Matisse, Picasso and Degas as one of the great painter-sculptors of the 20th century. Through unparalleled access to the extraordinary collection and archive of the Fondation Alberto et Annette Giacometti, Paris, Tate Modern's ambitious and wide-ranging exhibition will bring together over 250 works. It will include rarely seen plasters and drawings which have never been exhibited before and will showcase the full evolution of Giacometti's career across five decades, from early works such as Head of a Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.
Born in Switzerland in 1901, Giacometti moved to Paris in the 1920s where he became engaged with cubism and latterly joined the Surrealist Group in 1931. Celebrated works such as Woman with her Throat Cut 1932 will reveal Giacometti's engagement with surrealism as well as his powerful explorations of brutality and sadism.
A wide range of the artist's large scale sculptures will also be showcased alongside his drawings and books. Other works like Untitled (mask) 1934 will demonstrate his engagement with the decorative arts, while Man (Apollo) 1929 and The Chariot 1950 will show his preoccupation with Egyptian and African art. The exhibition will reveal how Giacometti, perhaps more than any other artist of his day, fused the ancient and the modern and broke down barriers between the decorative and the fine arts.
Giacometti left Paris in 1941, relocating to Geneva until the end of the Second World War. Having moved away from surrealism, he became interested in scale and perspective and began to work on much smaller sculptures in a more realistic style as in Very Small Figurine c. 1937-9. Following the war and his return to Paris, Giacometti began creating the elongated figures for which he is best known. Working from life, his preoccupation with the alienated and isolated figure became an important motif, embodying the post-war climate of existential despair. The exhibition will include an astounding selection of such masterpieces including Man Pointing 1947, Falling Man 1950 and The Hand 1947 as well as many of Giacometti's major paintings like Diego Seated 1948 and Caroline in a Red Dress c. 1964-5.
While Giacometti is best known for his bronze figures, Tate Modern will reposition him as an artist with a far wider interest in materials and textures, especially plaster and clay. The elasticity and malleability of these media allowed him to work in an inventive way, continuously reworking and experimenting with plaster to create his distinctive highly textured and scratched surfaces. A large number of these fragile plaster works which rarely travel will be seen for the first time in this exhibition including Giacometti's celebrated Women of Venice 1956. Created for the Venice Biennale, this group of important works will be brought together for the first time since their creation.
The exhibition will also explore some of the key figures in the artist's life who were vital to his work including his wife Annette Giacometti, his brother Diego and his late mistress Caroline. Giacometti's personal relationships were an enduring influence throughout his career and he continuously used friends and family as models. One room in the exhibition will be specifically dedicated to portraits of Diego and Annette demonstrating Giacometti's intensely observed images of the human face and figure.
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