Galina Tuluzakova

Galina Tuluzakova
Nikolai Fechin Kazan – Taos Celebration of the 1000th Anniversary of Kazan

Special issue N1. USA–RUSSIA: ON THE CROSSROADS OF CULTURES

Today, the name of Nikolai (Nicolai) Fechin is still little known to the Russian public – yet this talented and appealing artist was equally gifted in painting, draughtsmanship, wood carving, sculpture and the teaching of art. His work reflects a number of contemporary trends, although art nouveau, with its love of beauty, romantic quest for national roots and lack of a rigid stylistic models was to prove the most appropriate form for this master. Born in 1881 in Kazan, capital of Tatarstan, Fechin trained as an artist at the St. Petersburg Academy of Arts. Returning to Kazan after his studies, he took part in numerous European and American exhibitions. The majority of works from this time were either sold at these events, or sent abroad to foreign coll-ectors. With the beginning of World War I, such international connections were severed: paintings created during and immediately after the war remained in Russia. In 1923, the artist was forced to emigrate: Fechin left for America, taking some of his canvases with him. For this reason, the years prior to 1910 and the period between 1914 and 1923 are the stages in Fechin's career best represented in Russian museums.

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Galina Tuluzakova
Nikolai Fechin: Kazan – Santa Fe

#2 2005 (07)

Today, the name of Nikolai (Nicolai) Fechin is still little known to the Russian public – yet this talented and appealing artist was equally gifted in painting, draughtsmanship, wood carving, sculpture and the teaching of art. His work reflects a number of contemporary trends, although art nouveau, with its love of beauty, romantic quest for national roots and lack of a rigid stylistic models was to prove the most appropriate form for this master. Born in 1881 in Kazan, capital of Tatarstan, Fechin trained as an artist at the St. Petersburg Academy of Arts. Returning to Kazan after his studies, he took part in numerous European and American exhibitions. The majority of works from this time were either sold at these events, or sent abroad to foreign coll-ectors. With the beginning of World War I, such international connections were severed: paintings created during and immediately after the war remained in Russia. In 1923, the artist was forced to emigrate: Fechin left for America, taking some of his canvases with him. For this reason, the years prior to 1910 and the period between 1914 and 1923 are the stages in Fechin's career best represented in Russian museums.

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