Peter I

“...Looking After Art Training and Education in Russia.”

Svetlana Volodina

Article: 
On the 260th Anniversary of the Russian Academy of Arts
Magazine issue: 
#4 2017 (57)

Episodes from the history of the Academy of Arts over 260 years

Peter the Great’s edict ordering to establish an “Academy of Fine Arts and Sciences" was issued on December 22 1724; it stated that “said Academy should see to it that fine arts and sciences become better." However, the Academy was mostly focused on academic endeavours, so much so that during the reign of Empress Elizabeth, on November 6 1757, the Senate issued a directive to create an autonomous entity, an Academy of Arts, initially established under the auspices of Moscow University: “To establish an Academy of Arts in St. Petersburg, and as for its organizational structure, the Lieutenant General and Moscow University curator Shuvalov is expected to submit to the Senate a detailed proposal and staffing chart, and<...> in response to the above-mentioned requests..> for the upkeep of teachers and students at said institution, and for meeting other needs thereof<...> appropriate from the Treasury 6,000 rubles<...> now<...> and hereafter<...>"

A favourite of Empress Elizabeth, Ivan Shuvalov (1727-1797) was a high-ranking statesman, as well as a patron and aficionado of the arts. He distinguished himself mostly in the field of education, his most noteworthy undertakings being the establishment of Moscow University and the Academy of Arts. The documents that Shuvalov drew up, “Regulations of the Academy of Arts" and the “Sixteen Founding Principles of the Imperial Academy of Arts", set out the basic principles of its existence.[3]
 
Catherine the Great, who claimed she was successor not only to her “Aunt Elizaveta" but, most of all, to Peter the Great, made her own stately contribution to the development of the Academy of Arts. On November 4 1764, the Empress “granted the Academy its Charter and Privilege", which contained instructions as to the organization of the educational process, artists' education, including the ethics of conduct and rules of cohabitation for the young talents.
“...Looking After Art Training and Education in Russia.”

Episodes from the history of the Academy of Arts over 260 years

Valentin Serov. The Line of Life

Maria Ivanova

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2012 (34)

Valentin Alexandrovich Serov (1865-1911) is a key figure in Russian art of the late-19th and early-20th centuries. The general public knows him first of all as a painter, although his graphic talent was appreciated even by his contemporaries. " Serov the graphic artist may be even more powerful than Serov the painter," wrote Igor Grabar. The exhibition "Valentin Serov. The Line of Life," on view at the Tretyakov Gallery from December 2011 until May 2012, traces the great artist's trajectory through his works held at the Tretyakov Gallery's graphic art department — many of which have not been publicly displayed before.

Valentin Serov. The Line of Life

Valentin Alexandrovich Serov (1865-1911) is a key figure in Russian art of the late-19th and early-20th centuries. The general public knows him first of all as a painter, although his graphic talent was appreciated even by his contemporaries. " Serov the graphic artist may be even more powerful than Serov the painter," wrote Igor Grabar. The exhibition "Valentin Serov.

The First Fine Arts Museum in Russia

Veronica Bogdan

Article: 
MUSEUMS OF RUSSIA
Magazine issue: 
#1 2013 (38)

THE ESTABLISHMENT OF THE ACADEMY OF FINE ARTS IN RUSSIA WAS AN INITIATIVE OF PETER THE GREAT. WITH THE DEVELOPMENT OF THE NATION'S NEW CAPITAL, THERE WAS AN INCREASING NEED TO LEARN ABOUT EUROPEAN SOCIAL AND CULTURAL TRADITION, AND THE MASSIVE CONSTRUCTION PROJECTS GENERATED A DEMAND FOR QUALIFIED ARCHITECTS AND PAINTERS. THE WORKFORCE OF EUROPEAN PROFESSIONALS RECRUITED FOR THE TASK SOON PROVED INSUFFICIENT IN NUMBER, AND A SCHOOL OF DRAWING, CALLED "THE ACADEMY" BY PETER, WAS SET UP UNDER THE AUSPICES OF THE ST. PETERSBURG PRINTING-HOUSE. HOWEVER, THE TSAR ENVISIONED AN INSTITUTION OF LEARNING WITH A CURRICULUM INCLUDING ARTS, SCIENCES AND CRAFTS.

The First Fine Arts Museum in Russia

THE ESTABLISHMENT OF THE ACADEMY OF FINE ARTS IN RUSSIA WAS AN INITIATIVE OF PETER THE GREAT. WITH THE DEVELOPMENT OF THE NATION'S NEW CAPITAL, THERE WAS AN INCREASING NEED TO LEARN ABOUT EUROPEAN SOCIAL AND CULTURAL TRADITION, AND THE MASSIVE CONSTRUCTION PROJECTS GENERATED A DEMAND FOR QUALIFIED ARCHITECTS AND PAINTERS. THE WORKFORCE OF EUROPEAN PROFESSIONALS RECRUITED FOR THE TASK SOON PROVED INSUFFICIENT IN NUMBER, AND A SCHOOL OF DRAWING, CALLED "THE ACADEMY" BY PETER, WAS SET UP UNDER THE AUSPICES OF THE ST. PETERSBURG PRINTING-HOUSE.

Mark Antokolsky: " I have done everything I could..."

Lyubov Golovina

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#3 2013 (40)

Radical shifts in art are very often connected with the birth of outstanding creative personalities. The second half of the 19th century was just such an example: over a short period of time a real constellation of art-stars appeared, who inspire true lovers of art to this day. Among them is the sculptor Mark Antokolsky; the attitudes towards him of art critics from diametrically opposed wings of art – the democratic and the academic – were as different as the trends of art they represented. This juxtaposition did not make his life easier, but did make him a notable figure in the history of Russian sculpture.

2013_3_art_07_th.jpg

RADICAL SHIFTS IN ART ARE VERY OFTEN CONNECTED WITH THE BIRTH OF OUTSTANDING CREATIVE PERSONALITIES. THE SECOND HALF OF THE 19TH CENTURY WAS JUST SUCH AN EXAMPLE: OVER A SHORT PERIOD OF TIME A REAL CONSTELLATION OF ART-STARS APPEARED, WHO INSPIRE TRUE LOVERS OF ART TO THIS DAY. AMONG THEM IS THE SCULPTOR MARK ANTOKOLSKY; THE ATTITUDES TOWARDS HIM OF ART CRITICS FROM DIAMETRICALLY OPPOSED WINGS OF ART - THE DEMOCRATIC AND THE ACADEMIC - WERE AS DIFFERENT AS THE TRENDS OF ART THEY REPRESENTED.

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