Modern style

The Blue Rose OF RUSSIAN SYMBOLISM

Ida Gofman

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#1 2006 (10)

The exhibition of Russian symbolism, “The Blue Rose", which opens in early March 2006 at the Tretyakov Gallery, was initially part of the “Europalia 2005" festival in Belgium, shown in Brussels from October 10 2005 through to February 5 2006. It was meant to introduce European viewers to one of the most important periods in early 20th-century Russian art. Russian symbolism reflected general European traditions, while at the same time it brought its own colour and national features into the general stream of this artistic trend, showing traces of Russian folklore in its bright ornamentation. Its images are characterized by a soft lyricism and dreaminess typical of both the Russian spirit and Russian nature.

The Blue Rose OF RUSSIAN SYMBOLISM

THE CAMDEN TOWN GROUP: British art of the early 20th century through the prism of one movement

Tom Birchenough

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#2 2008 (19)

The art of one of the more significant, if shortlived, British artistic movements of the early 20th century, the Camden Town Group, received a landmark retrospective at London’s Tate Britain museum, which closed in May. It proved the first major exhibition for the movement in the British capital for 20 years.

THE CAMDEN TOWN GROUP: British art of the early 20th century through the prism of one movement

The art of one of the more significant, if shortlived, British artistic movements of the early 20th century, the Camden Town Group, received a landmark retrospective at London’s Tate Britain museum, which closed in May. It proved the first major exhibition for the movement in the British capital for 20 years.

Russia 1900: ART AND CULTURE IN THE EMPIRE OF THE LAST TSAR

Renate Ulmer

Article: 
INTERNATIONAL PANORAMA
Magazine issue: 
#3 2008 (20)

Designed as both cultural and historical, the exhibition has the objective of presenting Russian art of the end of the 19th-early 20th century which is little known in Germany, in parallel with the Western European decorative and literary movement “Stilkunst” (The Art of Style). Its focus is on the unique Russian integration of various forms of art of the period along with the ideas and thoughts that inspired and nurtured them. The dialogue between traditional, folk and romantic works and those which demonstrate international and Modernist influences increases the diversity of the exhibition.

Russia 1900: ART AND CULTURE IN THE EMPIRE OF THE LAST TSAR

Valentin Serov’s drawings at the Tretyakov Gallery

Maria Krivenko

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#3 2015 (48)

Marking the 150th anniversary of the artist’s birth, the Valentin Serov exhibition distinctly divides the gallery space into two sections - his paintings and drawings. Such a decision is dictated by the unique nature of Serov’s gift, as one of the few Russian artists who excelled equally in these two forms.

Valentin Serov’s drawings at the Tretyakov Gallery

Marking the 150th anniversary of the artist’s birth, the Valentin Serov exhibition distinctly divides the gallery space into two sections - his paintings and drawings. Such a decision is dictated by the unique nature of Serov’s gift, as one of the few Russian artists who excelled equally in these two forms.

“The Most Moving Painter of the Human Face”

Olga Atroshchenko

Article: 
CURRENT EXHIBITIONS
Magazine issue: 
#3 2015 (48)

The Tretyakov Gallery has prepared a major exhibition to mark the 150th anniversary of Valentin Serov’s birth, with the works of the prominent Russian artist displayed on two levels at the Tretyakov Gallery on Krymsky Val until January 17 2016. Serov proved himself as a remarkable easel and monumental painter, and graphic artist, as well as a theatre and applied arts designer. He painted landscapes and historical compositions, illustrated books and designed stage productions, but his portraiture dominated. His art made an enormous contribution to the formation of new movements, namely the Russian versions of Impressionism and Art Nouveau.

“The Most Moving Painter of the Human Face”

The Tretyakov Gallery has prepared a major exhibition to mark the 150th anniversary of Valentin Serov’s birth, with the works of the prominent Russian artist displayed on two levels at the Tretyakov Gallery on Krymsky Val until January 17 2016.

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