Calligraphy

As we look back today at the history of the Chinese fine arts, Qi Baishi (1864-1957) stands out as one of the most celebrated painters of the 20th century. He is also one of the Chinese artists who has enjoyed the highest level of international recognition. Study of Qi Baishi began during his lifetime, and over the 60 years that have passed since his death, many essential discoveries about him and his art have been made, which lay a broader and deeper foundation for the future study of the artist. But has that research now been thoroughly concluded? Can it be said to be exhaustive? Surely not: a new stage of study is required.

Heralding the only national art museum in China, construction on the National Art Museum of China (NAMOC) began in 1958, and the building was officially inaugurated in 1963, when Mao Zedong inscribed its title board with a work of calligraphy. The Museum is among the architectural landmarks of Chinese culture built after the founding of New China. Its building, surrounded by verandas and pavilions, is a classical-style, multi-storied pavilion with large imperial yellow, glazed-tile roofs, its architecture displaying a distinctive national romantic style. The Museum covers 18,000 square metres, with 17 exhibition halls arranged from the first to the fifth floors, and a total exhibition area of 8,300 square metres. The building is surrounded by an exhibition garden of 3,000 square metres featuring sculptures, and a museum depositary of 4,100 square metres.